玛拉玛 (2025)

玛拉玛的剧情简介

Taratoa Stappard’s brooding debut feature plunges us into the dour moors of 1859 North Yorkshire, where the British Empire’s reach casts long and twisted shadows. Mary Stevens (Ariāna Osborne), a young Māori teacher from Aotearoa (New Zealand), arrives in search of family truths, only to find the man who summoned her already dead and no clear path home. 　　Stranded in an unfamiliar and unwelcoming land, Mary accepts work at Hawkser Manor under the seemingly benevolent Sir Nathaniel Cole (Toby Stephens), a wealthy landowner who made his fortune as a South Seas whaler. But within the manor’s cold stone walls — where stolen Māori taonga line the shelves and ancestral whispers echo through dark corridors — Mary’s unease curdles into dread. 　　Haunted by visions and memories that are not her own, she begins to unravel a horrifying truth. As the sinister nature of Cole’s intentions comes into focus, Mārama transforms into a blood-tinged reckoning that never shies from the grotesque. What begins as a search for identity becomes a fight for freedom, dignity, and spiritual survival.

玛拉玛的豆瓣热评

TIFF No.3:新西兰反殖民主题哥特风格恐怖片，aesthetics堪比Nosferatu（女主造型简直毛利版Lily-Rose Depp），推荐！周一中午的scotiabank theatre里坐满了老白女老白男们，不知道这些殖民者的后代们对这部片作何感想lol

#TIFF2025#惊艳至极的长篇首作，Taratoa Stappard用毛利文化与反殖民精神颠覆哥特恐怖这一似乎无法摆脱西方中心/白人叙事的影像类型，拒绝被霸权的父权逻辑绑架，让一栋大宅中阴谋与复仇最初成为跨越海洋与大陆的史诗。当Mārama拒绝成为华服束缚的奴隶，用哈卡舞直接挑衅西方殖民者嘲笑愚弄，她最终回归了祖先最强大的女性/母系精神。本片的艺术设计非常独到，紧张氛围营造下让故事保持了简洁的… #TIFF2025#惊艳至极的长篇首作，Taratoa Stappard用毛利文化与反殖民精神颠覆哥特恐怖这一似乎无法摆脱西方中心/白人叙事的影像类型，拒绝被霸权的父权逻辑绑架，让一栋大宅中阴谋与复仇最初成为跨越海洋与大陆的史诗。当Mārama拒绝成为华服束缚的奴隶，用哈卡舞直接挑衅西方殖民者嘲笑愚弄，她最终回归了祖先最强大的女性/母系精神。本片的艺术设计非常独到，紧张氛围营造下让故事保持了简洁的悬疑节奏，又时刻提醒我们这是回到殖民者土地上对其暴力与压迫的坚决反抗。对于有预言文化/传说的毛利人，未来是倒着走向的过去，当她洞悉一切，亲手了结白人的虚伪自大狂妄，世代的原住民女性终于得以回归，“重生”。本片激进地表明，就算有深入血液的殖民印记，白人的父系照样要歼灭，势必挑衅“冒犯”一些观众。 (展开)

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